Chrissy Chlapecka – 7th St Entry – Minneapolis MN – March 21ST 2026

CHRISSY CHLAPECKA – 7^TH STREET ENTRY – MINNEAPOLIS MN – MARCH 21^ST 2026

Review and photos by Legion Ratfell

The glitz and the glam were in ample supply in the Entry on Saturday, March 21^st, 2026, as Chrissy Chlapecka brought her Girl On The Moon Tour to a sold out show in Minneapolis. I absolutely love when I can walk up to a show and can tell immediately who the line is for. Glitter, gowns, masquerade masks, frills, lace, and lots and lots of pink were lined up outside. Loads of people were complimenting outfits and taking pictures of each other before the doors opened, ensuring a good vibe before we even got into the venue.

Opening up for Chrissy was SLAJER, an absolute rockstar of a presence, bringing a bad-boy energy with a pop/punk vibe to his songs, which I honestly wasn’t expecting and thoroughly enjoyed. He threw it back, brought excellent energy, and him and his bassist Molly completely rocking the small stage. Performing both high-energy originals and a beautiful ballad called “how many guys,” he brought the room together over the struggles of love. He included some wonderful pop/punk covers from the 2000s, including “Fly On The Wall” by Miley Cyrus and “Girlfriend” by Avril Lavigne, which got the room very hype. It was honestly a blast.

After some set changing and a practice scream for a puppet of Chrissy brought out beforehand, Chrissy Chlapecka took the stage. I was immediately impressed by their ability to make the tiny stage at the Entry look glamourous. Sequin curtains hung all about, a big moon sign hanging above, platform blocks painted to look like moons that they could move to make different shapes and configurations.

She entered wearing a big pink cloak, which was quickly removed by her two beautiful dancers to reveal a sparkly sequin dress with a brain on top of her head since she opened with her song, “Brain.” Her attention to detail was fantastic, with multiple outfit changes to match the songs she was singing, dance breaks from her dancers in between, and a fun space exploration theme over the speakers as transitions throughout the set.

So visually, she had it down, and I figured she would, but what I was really impressed with was their voice. I’d listened to her, of course, but I honestly think she is way better live because she’s a vocal powerhouse. When you can add ad-libbing and beautiful counter-melodies to a live performance, it can elevate it immensely, and she is absolutely, uncontestably a popstar. The whole performance was theatrical, dramatic, and ultimately, incredibly homosexual and beautiful. It’s a beautiful time to get to see a hyper-femme lesbian pop artist thrive, putting out a good message with the talent and effort behind it to boot. The whole room was vibing, even people in the back were dancing and singing along, and it was a party the whole night long. Overall an absolutely fantastic performance, and I highly recommend seeing them live.